Art-+American+Regionalism+and+American+Experiences

Edward Hopper, //Nighthawks// (SW)
__**//Sample Questions://**__
 * 1) Hopper focused on everyday life, although his works are usually set in (Blank).
 * 2) Of pottery, painting, posters, prints, and drawings, (Blank) is NOT an art form pursued by Grant Wood.
 * 3) There were (Blank) panels in the series with //And the Migrants Kept Coming//.
 * 4) Hopper's //Nighthawks// is dominated by a sense of (Blank).
 * 5) All of the artists discussed in American Regionalists were dedicated to (Blank).
 * 6) O'Keeffe's //Cows Skull with Calico Roses// is related to a tradition designed to (Blank).
 * 7) The figure by the house in //Departure of the Joads, from The Grapes of Wrath// represents the choice to (Blank).
 * 8) //American Gothic// is often interpreted as a farmer and his (Blank).
 * 9) The world of //Nighthawks// seems so inaccessible to us because (Blank).
 * 10) Regional artists' American style was often a reaction against (Blank).
 * 11) In contrast to Wood's pastoral imagery, Benton's work is much (Blank).
 * 12) //And the Migrants Kept Coming// reflects Lawrence's experiences as (Blank).
 * 13) (Blank) and (Blank) were two artists who worked on publicly controversial murals
 * 14) In the 1920s, Georgia O'Keeffe worked mostly with (Blank).
 * 15) Georgia O'Keeffe's mature work was influenced by her mentor, (Blank).
 * 16) Jacob Lawrence maintained compositional unity in the "Migration Series" by (Blank).
 * 17) //American Gothic// placed (Blank) in an Art Institute of Chicago competition.
 * 18) //An American Exodus// depicts (Blank).
 * 19) Jackson Pollock was a student of (Blank) while attending the Arts Student League of New York.
 * 20) //The Departure of the Joads// is a (Blank).
 * 21) Of a cameo pin, a dark dress, a hair pin, an apron, and a white collar, (Blank) is NOT part of the woman's attire //in American Gothic//.
 * 22) The main figures //in The Negro in an African// Setting are (Blank).